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A wingless fairy awaits the reincarnation of her former husband to try to locate her lost wings and return to heaven.

Sun Ok Nam is a fairy who came down to Earth to take a bath during the Joseon Dynasty. A woodcutter steals her clothes, and she is unable to return to heaven. She decides to marry the woodcutter and has two children with him. But before she can find out where he hid her clothes, the woodcutter dies in an accident.

Almost 700 years later, Ok Nam (Go Doo Shim) works as a barista in a café, awaiting the reincarnation of her woodcutter husband. To most people who see her, Ok Nam looks like an old woman, but some people can see her for her youthful beauty (Moon Chae Won).

When two men, Jung Ji Hyun (Yoon Hyun Min) and Kim Geum (Seo Ji Hoon), come into the café one day, Ok Nam is convinced that one of them is her reincarnated husband. Can Ok Nam finally find her lost clothes and return to heaven?

“Mama Fairy and the Woodcutter” is a 2018 South Korean drama series directed by Kim Yun Cheol. It is based on the popular webtoon “Tale of Gyeryong Fairy.”

Mama Fairy and the Woodcutter

Once Upon A Time 

Dae Gil, born with the fate of being the son of King Sukjong but forced to live his life as if he\u2019s dead, overcomes a rough start and becomes a card shark shaking up Joseon. King Yeongjo, born the son of a maid, is endlessly kept in check by his half-brother King Gyeongjong and his power. Born to a family of rebels, the cold-blooded genius Lee In Jwa takes King Gyeongjong under his wing and aims to build his own royal court, consisting of the extraordinary genius politician Lee In Jwa, Lady Choi Sukbin, who holds the king's heart in her hands, her son King Yeongjo, and Joseon's best card shark, Dae Gil. At stake are their lives and the sole throne of Joseon. It\u2019s time to wage war like a single, enormous gambling round.

The Royal Gambler

Totally Awesome

When the captain of a Korean special forces unit, Yoo Shi Jin (Song Joong Ki), catches a thief on his day off alongside his friend and fellow soldier Seo Dae Young (Jin Goo), he has a chance encounter with a hospital trauma surgeon, Kang Mo Yeon (Song Hye Kyo).
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Although he immediately falls for her, Mo Yeon mistakenly believes Shi Jin is a part of the thief’s criminal gang, but after he proves the truth, they begin an unlikely relationship. Yet it doesn’t take long for the couple to realize they have conflicting views on human life – with Shi Jin having to kill to protect lives while Mo Yeon does everything she can to save them.
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After they decide that these philosophical differences are too much to overcome, they decide to end their relationship and Shi Jin is deployed to the fictional war-torn country of Uruk. Some months later, Mo Yeon is put in the awkward position of rebuffing her hospital director’s advances.
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As revenge, she is assigned to a team of medical volunteers who travel to Uruk, setting up a reunion with Shi Jin where they bond over their differences and discover how powerful love can be.

Descendants of the Sun

The Sunshine Team

Some couples marry for love but can’t overcome the objections of their families. Chang Min (Choi Jin Hyuk), a medical student, falls in love with and marries Jin Hee (Song Ji Hyo), a dietitian, despite the objections of Chang Min’s family, which is full of successful doctors. Chang Min’s family cuts him off and he is forced to drop of medical school and go to work as a pharmaceutical sales rep, but the strains and pressures from his family finally wear on the couple, and Chang Min and Jin Hee divorce. After they separate, Chang Min returns to his medical education and Jin Hee also puts herself through medical school. Years later, they meet up again unexpectedly when they both start their internships in the emergency department of a hospital. Can the couple survive their three-month rotation in close proximity to one another? “Emergency Couple,” also known as “Emergency Man and Woman,” is a 2014 South Korean drama series directed by Kim Cheol Kyu.

Emergency Couple

Romance in the ER Team

The world at your feet and the weight of the world on your shoulders - children of the super-elite class bear the burden of success as they are being groomed as heirs to their family business empires despite only being in high school.
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Kim Tan (Lee Min Ho) is the heir to the Empire Group, a family conglomerate business, but he lives under the constant shadow of his older half-brother, Kim Won (Choi Jin Hyuk), who is already an accomplished young executive in the family business. Despite being betrothed to the wealthy and haughty Rachel Ryu (Kim Ji Won), a hotel heiress, Tan falls in love with Cha Eun Sang (Park Shin Hye), the daughter of his family’s housekeeper.
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Eun Sang and her best friend, Yoon Chan Young (Kang Min Hyuk), the son of Empire Group’s secretary, did not grow up like their families’ employer did, but they get embroiled in their lives nonetheless. Eun Sang gets caught in a love triangle with Tan and Choi Young Do (Kim Woo Bin), the condescending heir to a luxury resort conglomerate, while Chan Young falls in love with Tan’s ex-girlfriend, Lee Bo Na (Krystal Jung), the socialite daughter of a major entertainment executive. Can a romance survive between the haves and the have-nots?
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“Heirs: He Who Wears the Crown Must Bear Its Weight,” also known as “Heirs,” is a 2013 South Korean drama series starring the hottest actors working today. It is directed by Kang Shin Hyo.

Heirs

The Heirs Team

KBS02

School equals unhappiness.The students have long been the icons of loneliness, suicide, and bullying.The teachers are incompetent employees who go to school to give detention. The parents are dictators who will do anything for their child to advance in society. And school is a monster. But is school really a monster? I mean, have we ever really taken a good, proper look at school? Whenever a school is rocked by bullying or death, people blame the academic policies or SATs. They sigh and aimlessly point a finger at our moral-lacking, dog eat dog world. Perhaps we actually know nothing about school. If so, then this is the moment we all must peer into the essence of school. If we hold our breaths and look inside, the school will listen. To the stories the children hide and the teachers are unaware of, and to the deep wounds of school, which has become a monster. We all must face the despair school emanates in order to discover that faint glimmer of hope. That hope is the first step in coming face to face with the non-monstrous future of school.

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