Sairi Ito is a Japanese actress who was born on May 4, 1994, in Chiba, Japan. In 2003, she debuted in the drama series “14 Months: My Wife Is Turning Back into a Child,” where she played an adult woman who transforms into a child. She followed up with roles in drama series releases such as “The Queen’s Classroom” in 2005 and more recently has appeared in the dramas “The Naked Director” (2019) and “Don’t Call It Mystery” (2022).

Sairi Ito

Fuji TV

When the body of his classmate Ken Sagae is discovered, Totono Kunou (Masaki Suda) becomes the prime suspect in this shocking murder case. Interrogated by Inspector Kanzo Yabu (Endo Kenichi), Totono uses his exceptional speaking skills to prove his innocence while detectives investigate his classmate Ren Sagara (Jun Shison). After the police quickly close the murder case, Totono, Ren, and their classmate Seiko Furomitsu (Sairi Ito) are invited to participate in an unusual part-time job involving finding a 30-year-old time capsule. With his unique gifts, Totono must help his classmates unravel this mysterious challenge. Adapted from the manga "Mystery to Iunakare" by Tamura Yumi, this is a 2023 Japanese mystery thriller directed by Hiroaki Matsuyama.

Don’t Call it Mystery Special

Totono Kuno (Masaki Suda), a quiet and introverted student, finds his peaceful life disrupted when a police detective informs him that a classmate has been murdered, and he is the prime suspect. Forced to use his keen observational skills, Totono begins gathering evidence to prove his innocence, especially after a weapon with his fingerprints emerges. As he navigates the complex investigation, other mysterious crimes begin to surface, challenging his previously tranquil existence. With mounting pressure and increasing complexity, Totono must unravel the truth behind the murder and clear his name. "Don't Call it Mystery" is a 2022 Japanese drama directed by Hiroaki Matsuyama, Shunsuke Shinada, Hideyuki Aizawa, and Hiroyuki Abe.

Don't Call it Mystery

🧣221B Baker Street Team🕵🏻

Tired of living in their cramped apartment, Nana Igarashi (Kyoko Fukada) and her husband Daiki (Kenichi Matsuyama) decide to move to a cooperative house. With a much more spacious place to call home, the scuba instructor and her salaryman agree there couldn’t be a better time to start growing their little family. But having a baby isn’t as easy as it seems, especially not when they share space with such interesting neighbors.

Sharing the co-op with the Igarashis, the Komiyamas appear to be a happy, well-to-do family, but the truth couldn’t be more opposite. With Shinichiro (Toru Nomaguchi) out of work and Miyuki’s (Sei Matobu) spending habits out of control, the couple face a growing number of problems. But they’re not the only residents with issues. Not yet married, Ryoji (Hiroyuki Hirayama) and Chihiro (Maryjun Takahashi) have plans to spend a beautiful life together, but when Ryoji’s ex-wife passes, his estranged son must move in with them. Never expecting a child to enter their lives, Chihiro has a lot of adjusting to do if their impending marriage is ever going to work. Meanwhile, the co-op’s last couple faces problems of their own. Having spent his entire life living in the closet, Wataru (Hidekazu Mashima) has no plans of changing anytime soon. The polar opposite, Saku (Takumi Kitamura) wants nothing more than to live his life loud and proud, enjoying his life with Wataru to the fullest. But how can he do that when his partner refuses to acknowledge their relationship in public?

With each resident family dealing with their own set of life-changing issues, can Nana and Daiki find a way to help others while simultaneously working on their own problems? Or will the strain of living such a complicated life prove to be too much?

Based on an original story written by Mayumi Nakatani, “Residential Complex” is a 2018 family life drama directed by Aizawa Hideyuki.

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