Kwon So Hyun is a South Korean actress. She was born in Andong, North Gyeongsang Province, South Korea on January 29, 1987 and made her acting debut on the stage in 2007. The winner of several awards, she appeared in her first film role in 2013 and took her first role in a television drama in 2018. Since then, she has appeared in various films and television dramas, including “Miss Baek” (2018) and “Flower Crew: Joseon Marriage Agency” (2019).

Kwon So Hyun

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Tving

Song U Yeon (Park Ji Hu) is an awkward and seemingly utterly unremarkable high school student who lives a bland and boring existence. But when she receives a mysterious smartphone message inviting her to join an art club named Spirit Fingers, her life turns upside down. She accepts the offer, only to discover that the club’s members all have their own distinct colors – which are all linked intrinsically to their personalities. This puts her on a collision course with the seemingly brash and gregarious Red Finger (Cho Jun Young), as she begins to grow into her own new identity as Baby Blue Finger. Could U Yeon’s artistic journey lead her on the path to self-discovery – and maybe romance? This drama was based on the webtoon of the same name by Han Kyoung Chal.

Spirit Fingers

🎨Prism of Colours Team

Han Ji Hyuk (Namkoong Min), a top National Intelligence Service (NIS) agent, vanishes during an overseas mission, only to reappear a year later with no memory of what happened. Branded a traitor, he embarks on a relentless quest to uncover the truth behind his disappearance and the betrayal that cost him his memory and his reputation. As he delves deeper, he uncovers a vast conspiracy within the NIS itself, forcing him to question everyone he once trusted. Aided by his former colleague Yoo Je Yi (Kim Ji Eun) and criminal psychology expert Seo Soo Yeon (Park Ha Sun), Ji Hyuk races against time to expose the traitors and reclaim his identity before the truth consumes him entirely.

The Veil

The Black Sun team 

Disaster strikes for Dong Won (Kim Sung Kyun), who has worked for over a decade to finally buy a place of his own. Despite clashing with his nosy neighbor Man Su (Cha Seung Won), Won's new apartment feels like a dream come true. He invites coworkers Seung Hyeon (Lee Kwang Soo) and Eun Ju (Kim Hye Joon) to a housewarming party. But heavy rain unexpectedly causes the whole building to collapse into a 500m-deep sinkhole: co-workers, neighbors, and all! As rainwater starts to gush into the hole, will this motley crew find a way out in time… or sink into a watery grave? This 2021 South Korean disaster comedy film was directed by Kim Ji Hoon.

Sinkhole

Yeong I

JTBC

Yi Soo (Seo Ji Hoon), a young king who rose from humble blacksmith origins, struggles with palace life and his impossible love for Gae Ddong (Gong Seung Yeon), a commoner. Determined to marry her, he enlists the Flower Crew – Ma Hoon (Kim Min Jae), Do Joon (Byeon Woo Suk), and Go Yeong Soo (Park Ji Hoon) – to transform Gae Ddong into a noblewoman. The matchmaking team takes on the challenging task of elevating her social status, risking everything to help the king's romantic dream come true. Will they successfully turn Gae Ddong into a noble bride, or will their efforts prove futile? Based on the novel by Kim Yi Rang, this is a 2019 historical romantic comedy drama directed by Kim Ga Ram.

Flower Crew: Joseon Marriage Agency

My Fair Lady Team

Baek Sang Ah (Han Ji Min), a former convict with a traumatic past, finds purpose when she encounters Ji Eun (Kim Si Ah), a young girl experiencing similar abuse. Recognizing her own painful history in the child's suffering, Miss Baek becomes determined to protect and rescue Ji Eun, willing to risk everything to break the cycle of violence. Her journey of redemption and compassion challenges her previously closed-off existence, as she fights to save the child from the same hardships she endured. This powerful narrative explores themes of survival, healing, and the transformative power of empathy. This is a 2024 South Korean drama that delves into the complex emotional landscape of trauma and protection.

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